Tips for the Flash Fiction Writer



Many Flash Pieces Will Begin as Failures and Fragments

I have almost literally never written a piece specifically designed to be flash fiction. Some of my flash pieces came from much longer stories that were radically edited down. Many others came into the world as poems that couldn’t quite cut it as poetry. I actually spent years trying to figure out how to make “The Day’s New Words” and “A Blessing for Brothers” into successful poems. It wasn’t until I realized that they were in fact very short stories that I was able to complete them and get them published.

Make Sure the Ending Does Its Job

I’m a big believer that the ending makes the story. If an ending doesn’t shock you, startle you, give you pause or fill you with unexpected waves of emotion, then the story didn’t do its job. The ending is what gives a story its resonance, its power. I have waited months and even years until I’ve found an ending that is appropriate for a story. Many flash pieces end best when they stop short. “On the Proper Role of Desire” originally ran much longer, allowing the monk and his apprentice to reflect more deeply on the nature and necessity of desire. By ending the story where I did, I left the reader in a state of poetic uncertainty, another apprentice contemplating a moth circling the flame.

Relax into Your Voice

Because flash fiction pieces are so short, we have a tendency to write them as though we are in a rush. There’s no time for meandering sentences or fruitless plot tangents. But I think it’s a mistake to let your narrator feel hurried. The narrator in “When All the Streets Are Closed” has all the time in the world. He’s stuck in a traffic jam and could go on talking for hours. The story’s strange and sudden turn of events are as much of a surprise to him as they (hopefully) are to the reader.  

Find the Courage of Creative Patience

In my daily life, I’m not a patient person. I can’t stand waiting on lines and it seems like red lights always last a minute too long. In my writing life, I’ve learned that you have no choice but to be patient. Stories take time to percolate. It is not always obvious where they will go and how they should end. It may take a year or even longer to turn a 700-word draft into a 659-word finished product. Creative Patience takes courage. You need courage to admit that your plot is interesting but your characters are flat. You need courage to admit that your ending is clever but contrived. Most of all, you need the courage to admit that there is something wrong with your story but you have no idea how to fix it. If you can let go of that craving for immediate gratification, if you can grant yourself the patience to let a story sit for months or even years, then you will allow yourself to grow into the author who can write a piece of flash fiction that will delight and dazzle readers for years to come. 

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